CRAFT NOTES by Ed Hooks

SYMPATHY VS. EMPATHY

An understanding of the distinction between empathy and sympathy is intrinsic and essential to my personal approach to acting and acting training. An actor's job is to create in the audience a sense of empathy with the character she is portraying. Yes, of course there are times when an audience will feel sympathy, but if sympathy is what they feel at the final curtain, they're not going to be satisfied.

Empathy is an essential attribute for human survival, and terrible things happen in its absence. Serial killers – sociopaths – for example, do not empathize with their victims. Studies have shown that the part of a sociopath’s brain associated with empathy is literally broken. That is why he can murder a person and then stop off for a burger and beer on the way home. And then there is Hitler. There are smart and responsible leaders in the Jewish community who become outraged at any attempt a performer makes to create empathy for Hitler. Yes, the man was evil and did horrible things but, if we do not try to understand where he was erroneously coming from emotionally, then we open ourselves to the unwitting acceptance of another just like him.

Not long ago, I asked a beginning actor in my workshop how he felt about the character he was rehearsing. “I don’t like him. He does stupid things,” he replied. A judgment like that is fair enough, and the actor is entitled to it. However, as I quickly advised him, he would have to find a way to love and empathize with that character if he wanted a successful portrayal. Every person on earth and in literature is a hero in his or her own life, even the stupid ones. Humans are fallible. We can make bad choices, and that is the reason we have theatre in the first place. If humans were instinctual like lions and tigers, there would not be an option for acting against our own survival and best interest. When an actor plays a character, she is saying to the audience, in effect, "This is how I personally think this character is surviving in the world." When the audience laughs, cries and applauds, it is saying, in effect, "I see what you mean. I never looked at it that way before."

We all have different strategies, but we are all trying to survive. Each of us is part of a tribe that is, in turn, part of a larger global tribe. We universally empathize only with emotion, never with thinking, and we empathize with all seven of them - happy, fear, anger, contempt, disgust, surprise and, yes, sad. I visited China for the first time last year and saw immediately that the Chinese culture encourages radically different survival strategies than the ones I personally pursue. It doesn't matter because we are all humans, and we are all marching in the same direction.

We humans now possess the power to destroy one another along with the planet we live on. If our many tribes manage to survive, it will be because the members of each tribe have learned to empathize with the members of other tribes, not sympathize. With all due respect, I will now send this column to David Brooks.